In 2025, when everyone carries a digital camera in their pocket and can instantly share thousands of photos at the drop of a hat. Film photography is experiencing a genuine renaissance, and as a Sydney film photographer who’s been documenting this shift firsthand, I can tell you it’s about much more than just nostalgia.
The numbers don’t lie – film sales have been climbing steadily, and I’m getting more inquiries than ever from couples specifically seeking a 35mm film wedding photographer. But what’s driving this analog revival? And why are couples willing to invest more for something that takes longer and costs more than digital?
The resurgence isn’t just about aesthetics, though film’s distinctive look is undeniably part of the appeal. There’s something deeper happening here – a conscious rejection of the disposable, instant nature of digital photography.
Film forces intentionality. When each frame costs money and you can’t delete mistakes, you naturally become more thoughtful about composition, timing, and what’s actually worth capturing. This translates into stronger images, but more importantly, it changes the entire energy of a wedding day. There’s a reverence to the process that couples and their families can feel.
The aesthetic qualities of film are genuinely irreplaceable. The grain structure isn’t digital noise – it’s actual silver halide crystals creating texture and depth. Colour negative film, particularly the stocks I use, renders skin tones in ways that digital sensors simply can’t match. There’s an organic quality to how film handles light and shadow that creates images with genuine soul.
Let’s be upfront about this – the increased demand for film has created some challenges. Film stock prices have risen dramatically over the past few years. What used to cost a few dollars per roll now commands premium prices, and processing costs have increased as fewer labs operate professionally.
This reality affects pricing for couples wanting film photography at their wedding. However, I’ve found that couples who specifically seek out a film photographer understand they’re investing in something unique. These images become family heirlooms rather than just wedding photos – there’s a tangible quality and permanence to film that justifies the investment.
In my work as a film photographer, I’ve carefully selected cameras that serve specific roles throughout a wedding day. My 35mm setup centers around two exceptional cameras: the Nikon F100 and the Nikon L35 AF.
The F100 is my go-to for ceremony coverage and formal portraits. It’s got the reliability and metering accuracy I need for professional work, while still delivering that classic film aesthetic. The build quality is exceptional – this camera can handle the demands of a full wedding day without missing a beat.
For more documentary-style moments, I use the Nikon L35 AF. This compact camera allows me to move through wedding celebrations more discreetly, capturing genuine emotions without the intimidating presence of larger professional equipment. It’s particularly good for getting ready shots and reception candids.
When couples want the ultimate in image quality, I bring out my Mamiya 645 medium format camera. The larger negative size creates incredibly detailed images with almost three-dimensional quality. There’s something about medium format film that renders fabric textures and skin tones in a way that’s simply stunning. However it’s bulk and manual focus usually means it’s not that suited to weddings.
My approach to film photography is built around Kodak Portra 400 and Portra 800. These professional colour negative films are the gold standard among wedding photographers for good reason – their skin tone rendering is exceptional, and they offer generous exposure latitude that’s crucial for wedding photography’s varied lighting conditions.
Portra 400 is my weapon of choice for outdoor ceremonies and portraits. The color saturation is beautiful without being oversaturated, and it handles everything from bright sunlight to open shade with consistent results. For reception environments and lower light situations, Portra 800 becomes invaluable. The higher ISO capability means I can capture dancing, speeches, and intimate moments while maintaining that distinctive film look.
One question I get regularly is how I manage shooting both mediums during a wedding. The key is understanding each format’s strengths and deploying them strategically.
Digital handles volume beautifully – it’s perfect for getting ready coverage, family formals, and reception documentation where capturing every moment matters. But film captures the emotion. I reserve film for the most significant moments: first looks, ceremony highlights, golden hour portraits, and those quiet, intimate instances that benefit from film’s organic beauty.
This hybrid approach ensures comprehensive coverage while preserving film for the images that will define a couple’s wedding album. It’s about being intentional with film while maintaining the reliability that professional wedding coverage requires.
Film photography isn’t just my profession – it’s how I document my own family’s life. When we travel or I’m capturing everyday moments with loved ones, I reach for film cameras almost exclusively. There’s something about the process that slows you down, makes you more present, and ultimately creates more meaningful images.
This personal connection to the medium is crucial to my professional work. When I’m photographing weddings on film, I’m not just creating images – I’m using a process I genuinely understand and love. That authenticity comes through in the final photographs.
While I currently offer film photography as an add-on to wedding packages, I’m increasingly interested in photographing weddings entirely on film. There’s something appealing about the complete analog experience – every moment from ceremony to reception captured on the medium that created wedding photography’s most iconic images.
Full film weddings require careful planning, multiple camera bodies, and couples who truly appreciate the film aesthetic. But for those willing to embrace the process, the results are extraordinary. Every single image carries weight, intention, and that timeless quality that makes film photography special.
As a Sydney film photographer, I’m excited to be part of this analog renaissance. Film photography represents more than nostalgia – it’s a conscious choice to prioritize quality over quantity, intention over automation, and permanence over disposability.
For couples considering film photography for their wedding, think beyond just aesthetics. You’re choosing a process that values craftsmanship, embraces beautiful imperfection, and creates images that will genuinely stand the test of time.
The film photography revival isn’t slowing down because it addresses something fundamental that digital can’t – the desire for authenticity in an increasingly artificial world. In wedding photography, where the goal is preserving life’s most precious moments, there’s nothing more fitting than using a medium that has been telling love stories for generations.
Film photography is back, and it’s here to stay. The question isn’t whether this trend will continue – it’s whether you want to be part of creating something timeless.